7Artisans 10mm f/2.5 Fisheye review: A fast, affordable, autofocus fisheye with weather sealing for Sony, Nikon and L-Mount

The 7Artisans 10mm f/2.5 Fisheye offers unbelievable specs for US$449 – and delivers image quality well above its price tag

7Artisans AF 10mm f/2.5 Fisheye Max lens on a wooden surface
5 Star Rating
(Image credit: © James Artaius)

Digital Camera World Verdict

A fair few fisheyes have hit the market lately, but the 7Artisans 10mm f/2.5 Fisheye is the one I've had the most fun with. Sigma's 15mm f/1.4 is faster, and might have a more versatile focal length, but it's also enormous. The 7Artisans optic is way more compact and is a much more practical pairing for most cameras. I loved whipping it out for quickfire street photography – which you can't really do with the Sigma – and its ultra-wide 10mm / 185° view gives you a perspective that almost no other lens can match. Finding a fisheye with autofocus is hard enough, let alone with weather sealing, which combined with the fast aperture, image quality (including excellent flare control) and USB port for firmware makes this almost impossibly good value at just $449. This is the only AF fisheye for Nikon Z, but even for Sony and L-mount I think this an absolute no-brainer if you're a fisheye aficionado and especially if you're looking for an affordable way to experiment with the genre.

Pros

  • +

    Great autofocus

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    Fast aperture

  • +

    Excellent flare control

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    Custom buttons

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    USB-C port for firmware

Cons

  • -

    Vulnerable front element

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I still can't quite believe the 7Artisans 10mm f/2.5 Fisheye lens. What it offers – and, more importantly, delivers – for the price is pretty remarkable.

You get an eye-watering 185° angle of view, for starters, which is a reality-warping kind of perspective. And you get a fast f/2.5 aperture, which obviously is far more useful for low light than blurry backgrounds at this focal length. But you also get an enviable 0.15m close focus distance, full weather sealing and, best of all, autofocus.

This, in case you're unaware, is almost unicorn territory for a fisheye lens; there is, after all, only one other autofocus fisheye for the Sony E and L-Mount (from Sigma), and none whatsoever for Nikon Z cameras. But the 7Artisans 10mm f/2.5 Fisheye offers all this for under $500 – less than a quarter of the price of the alternative.

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Fisheye lenses aren't for everyone, and they aren't for everything, but they're a brilliant creative addition to your arsenal – and if I were in the market for one, with its unique combination of price, performance and size, the 7Artisans 10mm f/2.5 Fisheye is the one I would personally purchase. Here's why.

7Artisans 10mm f/2.5 Fisheye: Price & availability

The 7Artisans 10mm f/2.5 Fisheye was launched in September 2026 with a price tag of $449 – which translates to around £330 / AU$625.

While there are plenty of third-party manual options, as noted there are almost no autofocus alternatives native to the E, Z or L-Mount – and none at all for Nikon's mirrorless platform.

For Sony and L-Mount cameras, there is the Sigma 15mm f/1.4 DG DN | Art Fisheye prime, priced $1,999 / £1,859 / AU$3,795, which is faster but wider.

Other than that, Sony shooters have the option of a slower autofocus zoom – the Sony FE 8-14mm f/3.5 Fisheye G, which carries a $1,599 / £1,499 / AU$2,099 asking price.

7Artisans 10mm f/2.5 Fisheye: Specifications

Swipe to scroll horizontally

Mount options

Sony E, Nikon Z, L-Mount (reviewed)

Circular or diagonal

Diagonal

APS-C equivalent focal length

15mm

Angle of view

185°

Image stabilization

No

Weather sealing

Yes

Focus

Manual, automatic

Control ring

No

Aperture ring

Yes (clicked)

Lens construction

11 elements (2 extra-low dispersion, 1 aspherical), 8 groups, 9 aperture blades

Minimum aperture

f/16

Minimum focus distance

0.15m

Filter size

N/A

Dimensions (DxL)

76 x 94mm

Weight

504g

7Artisans 10mm f/2.5 Fisheye: Build & handling

Despite its affordable price point, the 7Artisans 10mm f/2.5 Fisheye feels every inch a premium lens – and indeed, it's part of the company's Max line of top-tier optics. The all-metal construction gives it a satisfying amount of heft in the hand, and obviously offers a reassuring level of robustness. On top of that, it's finished beautifully with a pleasingly smooth, satin finish that suggests a far more expensive optic.

The mount (which, again, is metal) features a USB-C connection for easy firmware updates and is finished with a gasket – making this is a weather-sealed lens that you can take out even in challenging conditions. As always, remember that this is only true if your camera is likewise sealed (which my Lumix S9 is not!) so make sure your body and lens are weather-sealed before shooting in wet or dusty conditions.

Despite its build quality, the 7Artisans 10mm f/2.5 Fisheye is comfortably light at 504g and pretty small at just 94mm in length – which makes it a smart match for smaller full frame bodies like the Lumix S9, Sony A7C II and Sigma BF, as well as Sony's APS-C cameras. This stands in stark contrast to the Sigma 15mm f/1.4 DG DN | Art Fisheye, which tips the scale at 1,400g and measures 160mm.

The 7Artisans AF 10mm f/2.5 Fisheye has already had one firmware update since launch (to improve stabilization performance), so the USB-C connection to make quick and easy updates is very welcome (Image credit: James Artaius)

Given the bulbous nature of the front element, this lens has a fixed hood on the front – which serves both to protect the glass and shield the optic from errant light sources. This does mean, of course, that it's not compatible with traditional lens filters – so you're looking at sensor-mounted options if you want to use something like an ND filter.

I'll also point out that, despite the integrated hood, the front element remains very vulnerable – especially if, like me, you whip it in and out of a sling bag for street shooting. You should definitely use the supplied lens cap (which is felt-lined and slides on top of the hood petals) whenever you aren't actively shooting, as you don't want to smudge, ding or damage that exposed element.

Where controls are concerned, there's an aperture ring (clicked) for lens-based exposure control as well as a very nice manual focus ring (fly-by-wire) if you want to override the AF. To accomplish this there's a manual / autofocus switch, and a pair of function buttons enable you to map custom controls to the lens.

7Artisans 10mm f/2.5 Fisheye: Performance

I primarily tested the 7Artisans 10mm f/2.5 Fisheye with my Lumix S9. I shot in a variety of conditions and situations, from action skateboarding and portraiture to architecture and close-ups to day and night street photography.

As noted in the specs,

Shooting with a fisheye lens is always a good time, but I didn't previously own a fisheye quite as wide as this.

Glare and flare is incredibly well controlled on the 7Artisans 10mm f/2.5 Fisheye – even when you really antagonize it with backlighting like this! (Image credit: James Artaius)

Due to the shape of the lens, obviously sharpness drops off thanks to field curvature – but in the center, it can achieve pin-sharpness (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye: Samples

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/1600 sec, f/8, ISO800) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/1600 sec, f/8, ISO800) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/250 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/2000 sec, f/2.5, ISO800) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/100 sec, f/8, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/100 sec, f/8, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/800 sec, f/8, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/160 sec, f/8, ISO400) (Image credit: James Artaius)

Sample image taken with the 7Artisans 10mm f/2.5 Fisheye Max lens using the Panasonic Lumix S9

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/800 sec, f/8, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/400 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/320 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/320 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/250 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/250 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/320 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/320 sec, f/2.5, ISO100) (Image credit: James Artaius)

Sample image taken with the 7Artisans 10mm f/2.5 Fisheye Max lens using the Panasonic Lumix S9

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/125 sec, f/8, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/320 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/250 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/250 sec, f/2.5, ISO100) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/40 sec, f/11, ISO2500) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/60 sec, f/2.5, ISO320) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/200 sec, f/2.5, ISO320) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/40 sec, f/11, ISO800) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye + Panasonic Lumix S9 (1/30 sec, f/2.5, ISO2000) (Image credit: James Artaius)

7Artisans 10mm f/2.5 Fisheye: Lab tests

7Artisans 10mm f/2.5 Fisheye: Verdict

James Artaius
Editor in Chief

James has 25 years experience as a journalist, serving as the head of Digital Camera World for 7 of them. He started working in the photography industry in 2014, product testing and shooting ad campaigns for Olympus, as well as clients like Aston Martin Racing, Elinchrom and L'Oréal. An Olympus / OM System, Canon and Hasselblad shooter, he has a wealth of knowledge on cameras of all makes – and he loves instant cameras, too.

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